Deloittes Top 200 Awards Dinner

The Brief

Spyglass was engaged to provide Vision, Audio and Content solutions for the Deloittes Top 200 Awards Dinner to over 1000 pax at Spark Arena, Auckland.

Solution

Based on our clients artwork we designed two 6m screens in a V formation. This was complimented by two 8m wide projection surfaces out wide.

Onstage we supplied LED screen builds that replicated the V formation of the central screens.

Content was designed and produced in collaboration with our client. Content included all opening sequences, awards categories, animations as well as textural backdrops for the LED.

Spyglass provided all onsite crew as required.

Overall the look was professional and allowed all the 1000 strong audience great views of all the award winners both onstage and on screen.

Outcome

Spyglass as been involved in the Deloitte Top 200 for the past 3 years. Each year we meet with them to discuss how we can push the boundaries and make the event better than the previous.

“The team at Spyglass work hard to deliver not only great service in delivery but also in the planning stages. We have always included Spyglass at the beginning of the project to gather their input and challenge the norms. We thoroughly enjoy working with a team that is so committed to a high standard of delivery and a great team to integrate into ours.”
Sarah D’Audney – Event Director, New Ventures.

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Halberg Trust

The Brief

To provide full production equipment & personnel for the live broadcast event, a Black Tie Gala Dinner for 1200 people at Spark Arena, Auckland.

Solution

Oceania Productions provided Lighting, Audio and Vision systems for the awards.

Lighting designer Simon Garrett’s goal is always to make the live event ‘look’ as close as possible to the broadcasted event. He also thinks it’s very important to make the guests look and therefore feel good from the red carpet to the stage. He assumes they will review the show and look critically at the people.

Garrett considers tungsten a natural choice for both tables, stage and lecterns which means a 3000k white balance. Oceania have used ETC’s revolutions for this task for some years and they work very well. Typically to balance stage with audience, Garrett would use a combination of tungsten softs and profiles with gobo’s adding a layer of moving light textures for depth and visual interest.

This time Oceania cut the softs by half and added a layer of RGBAW fixed LED wash as a base to adjust on the fly. New GLP X4L wash units were added to cover the audience near the stage with a gobo and beam wash from sixty-five 280R Pointe generics over the rear half of the audience. These provided texture and hype looks and the layering and shifts of colour worked well in the long shots while saving 6 hours from the normal focus time.

Programmer Jason Steele did some great work with the cameras on the live show look while Garrett works the floor, foyers and overall package. Vision at the event was a combination of projection and 3.9mm LED screens. Oceania ran projectors at 5500k as a compromise between looking warm live and blue in the broadcast. The team did a lot of work on the LED to get the green under control with the gold Halberg graphic content.

Oceania work closely on the overall look with both the Sky TV creative team and the broadcast partner OSB. Rob Douglas, Supervising Director from Sky TV said, “I spend a bit of time in CCU, and as soon as we have cameras, we define the exposure window early making sure we are on the same page visually and refining as we go. The key is to not chase each other’s adjustments. While Jason actually runs the gig, I am in a position to float a little and continue direct contact with the production and broadcast team in the truck.”

Audio Designer, Nick Maddren was given a brief to deliver clean audio for both the live audience and television. This year Oceania used Array Processing on the D&B J series system. Maddren understands that if we were to have issues of getting a good amount of volume in the room it would become very easy to make the TV sound very roomy or worse have a constant ring in the TV audio. By Array Processing the D&B system Oceania are able to deliver more even coverage allowing much better gain before feedback.

Outcome

Sky TV has worked closely with Oceania on various events over the years.

“In the case of the Halbergs in particular we work closely with Simon Garrett who provides us with consistently great service. Every year he comes up with new ways of making the product better and adapts the overall look accordingly with what we are trying to achieve. I’m always very impressed by the way Oceania always try to use new technology/gear when they can, they are also very good at overcoming challenges and using creative solutions; it makes producing these  kind of events so much easier when you know that there are people like the Oceania guys who have got your back and are working alongside you to create a top quality product.” – Rob Douglas, Supervising Producer, Sky TV

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